Cool print ad campaign for the chamber orchestra of the Berliner Philharmoniker featuring expansive photos of the cramped spaces inside musical instruments. More images here. (Via Andrew Sullivan)
Art
L.A.P.D Archives, 1955
“MCMXIV” by Philip Larkin
Those long uneven lines
Standing as patiently
As if they were stretched outside
The Oval or Villa Park,
The crowns of hats, the sun
On moustached archaic faces
Grinning as if it were all
An August Bank Holiday lark;
And the shut shops, the bleached
Established names on the sunblinds,
The farthings and sovereigns,
And dark-clothed children at play
Called after kings and queens,
The tin advertisements
For cocoa and twist, and the pubs
Wide open all day —
And the countryside not caring:
The place names all hazed over
With flowering grasses, and fields
Shadowing Domesday lines
Under wheat’s restless silence;
The differently-dressed servants
With tiny rooms in huge houses,
The dust behind limousines;
Never such innocence,
Never before or since,
As changed itself to past
Without a word — the men
Leaving the gardens tidy,
The thousands of marriages,
Lasting a little while longer:
Never such innocence again.
Richard and Mildred Loving, 1965
Richard and Mildred Loving (1965), by Life photographer Grey Villet.
Exiled from their native Virginia for violating the state’s anti-miscegenation laws, the couple were the appellants in the landmark Supreme Court case Loving v. Virginia (1967). The Lovings’ story is told here. More on the Life magazine photos here and here.
Making Gatsby
Fitzgerald’s handwritten manuscript of The Great Gatsby (via)
Iconic images colorized
Copley Square, 1910
Copley Square from the roof of the Boston Public Library, ca. 1910 (Boston Public Library, via Park & Tremont)